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Sunday, October 11, 2026
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Ballet Luminary Matthew Ball on Demanding Parts and Online Scrutiny: 'I'm Not Protective About My Body'

In the hushed ambiance of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's carriage is naturally upright, his limbs muscular beneath a plain tee. On stage, dancers can appear like powerful gods, yet often in person they are small. This is not true for Ball, whose tall stature is one reason for his demand for heroic roles and partnering. With delicate traits and piercing eyes, there's a touch of Robert Pattinson about him.

A Seamless Ascent to the Pinnacle

Now 31, Ball is experiencing the crest of a career that has progressed seamlessly. Raised in Liverpool, he encountered little teasing for his childhood passion in ballet. Entering the Royal Ballet School at 11, he graduated straight into the troupe and was promoted each year, reaching the highest position of lead dancer in 2018. He has relished taking on substantial dramatic roles, particularly the emotional turmoil found in Kenneth MacMillan's ballets.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

His next featured role is as himself, in an "Evening With" event aiming to offer intimate perspectives into a dancer's craft. He will guide the audience through a role, showing his cognitive process while performance. Yet in lighter works, the challenge is significant. "A classic ballet is one of the most demanding technically," he notes.

The Psychological Game and Post-Performance Emotions

What about after a performance, when he has succeeded? "It's pretty good," he says. "But because I'm trying to squeeze all the emotion out of it, and get lost in the role, frequently I do feel self-conscious later. Following an intense role I'm always thinking: God, what must people think?"

In person, Ball is thoughtful, mild-mannered, and prone to laugh at himself. Yet a dance maker once remarked on a "sense of suffering in him." Does this exist? "I'm quite energetic in general, but I do have a melancholy streak," he confesses. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an catalyst for positive change."

Early Motivations and Creative Inspirations

Ball's tenacity originated in early setbacks. Not excelling in competitions at school made him "vengeful!" It was motivation to prove he could succeed. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he remembers.

The next challenge is creating his own choreography. In his view, "there's nothing wrong with." "Challenging the rules is compelling, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be loaded with substance, drawing inspiration from books, compositions, and art.

Close-Up Performance and Personal Partnership

He also favors presenting dance in smaller spaces. "It was just really thrilling," he says of a past show. "You’re so near to the audience. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"

Ball has made pieces with his partner, fellow lead dancer Mayara Magri. The level of faith between them is evident. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." The couple aren’t typically paired on stage at their home company, which is perhaps healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he admits. "But I feel like we’re each other’s favorite cheerleader."

On Social Media and Physical Image

On Instagram, fans can see videos from his projects and photos that showcase a athletic form. Does he mind that the response can be somewhat focused on appearance? Not particularly. "The body is just what we use, so I don’t feel very precious about it," he states. He relates it to viewing Michelangelo’s David—an object that can be seen on multiple ways.

Ball characterizes his younger self as "eager for success." Did it lived up to his hopes? "I am conscious of how life is a different thing to the dreams you made as a child," he muses. He probably has about decade of dancing ahead. "I guess in the time to come, I want to be a bit more kind with myself."

Written by

David Henderson

A former mathematician turned life coach, Elara explores the intersection of probability and positivity.

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